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Buying A Keyboard
by Ashley Southam,
There are many different questions when it comes to buying a
keyboard. How much should I pay, how many keys it needs and so on. A
lot of it really depends on the buyer and your own personal
preference. The best way to tell if the keyboard is right for you is
if it “feels” right. But, in saying that, there are a few simple
guidelines that can help you out come purchase time.
One of the great things about having so many different keyboards to choose
from is that you can find one at a suitable price. The first thing is you want
to make sure the keyboard actually works. The problem with keyboards is that as
they get older they tend to decay a bit. So be careful buying a keyboard before
you’ve actually played it and checked the keys, all the buttons and so on.
The next step is looking at how many keys it has. I’m often asked “how many
keys should I get?” The answer is really down to personal preference and what
exactly you’re using your keyboard for. My advice is to get a keyboard with the
full 88 keys. But 76 and even 61 will usually be enough. If you have the choice
I think either 88 or 76 keys is best. If you were just using a small range of
the keyboard and it’s more for recording interesting samples and so on, then
fewer keys is fine. Most professionals will use 88 keys.
The next thing to look at is weighted keys or “synth” action. This means what
the feel of the actual keys is like. This again really depends on personal
taste. Weighted keys: this means that the keys on the keyboard have the same
feel and weight as keys on a standard piano. A lot of trained pianists will go
this route, myself included. I don’t like to use synth style keys but that’s
entirely my personal taste. One of the benefits of playing on a keyboard with
weighted keys is that if you never played an acoustic piano before you should
easily be able to adjust quickly because your hands will be used to it. Synth
style keys also have their advantages. Because they’re not weighted it’s a lot
easier to play them faster.
Another important aspect is the velocity and after touch of the keyboard.
Velocity refers to whether how hard you hit the keys affects how loud the sound
that comes out, so that if you lightly touch the keyboard you will get a nice
quite sound. Similarly if you hit down hard you will get a nice loud reaction.
After touch refers to the sensitivity to the sound and touch after you hit the
note and hold it down. If you play a note and you want it to ring the way an
acoustic piano does, after touch is very important. Personally I believe that
velocity and after touch is VERY important and any keyboard you have should
really have these things catered for.
So there are a lot of things to consider when looking at keyboards.
Ultimately I believe a lot of it comes down to personal taste and what your
instincts tell you about the keyboard itself. Remember, you want it to be
something that you can spend a lot of time on so make sure that you are
completely happy with what you end up with.
ABOUT THE AUTHOR
Ashley Southam (The Piano Guy) is a pianist with years of experience behind
him. Piano is his passion, and he is also the drive and inspiration behind Rocket
Piano – the Ultimate Piano Learning Kit, and Rocket Piano Gospel Edition. If you
want to take your piano playing skills to a new level, you need the Rocket Piano
Kit. You get step by step instructions complete with audio and video lessons,
and you can instant access by clicking the link now
http://www.rocketpiano.com.
Musical Keyboard
By
Elizabeth MorganThe history of modern
musical keyboards dates back to at least the first
century AD, as Vitruvius’ work on architecture
during the same era provided information about an organ
that had balanced keys. It is a well-known fact that in
757 AD, Emperor Constantine sent a musical instrument
with keys as a gift to King Pepin of France.
The evolution of the musical keyboard continued with
music genius Guido of Arezzo, who applied the keyboard
to stringed musical instruments in the 11th century.
Even as modern musical keyboards have undergone many
changes over the last few decades, the basic key layout
has not been much different from the traditional
concept.
Most of the latest models of musical keyboards play
certain compositions automatically. These compositions
have been recorded in the memory of these keyboards. By
pressing a particular key, the keyboard starts playing
these compositions. In some of the keyboards, you can
save new music compositions also. Musicians often use
such musical keyboards to create and record their music.
Some musical keyboards produce sounds of a particular
musical instrument, but some may produce sounds of
several musical instruments. The latter are more popular
among common people and music lovers as well as
musicians.
Musical keyboards are very popular as gift items.
They come in various sizes. Portable musical keyboards,
specially designed for children, are also available. The
price of a musical keyboard varies according the sound
quality and the number of functions it can perform.
Most musicians in today’s world rely on musical
keyboards for creating music. Compared to traditional
musical instruments, musical keyboards often prove to be
more cost-effective and timesaving. Many top electronics
manufacturers provide a wide range of musical keyboards
at affordable prices.
Keyboards provides detailed information
on Keyboards, Computer Keyboards, Electronic
Keyboard, Musical Keyboard and more.
Keyboards is affiliated with
Change Passwords.
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Yamaha Electone Organ Versus
Yamaha Arranger Keyboard
By
Mike Shaw Over the past ten years or so,
electric organ sales have slumped to all time low. Yet
the arranger keyboard market continues to flourish,
especially with keyboards such as the Yamaha Tyros, Korg PA-1X and the Roland G70. In my opinion, the
organ is much more playable as a live instrument, and
using bass pedals, you can play the organ without any
drum machine or automatic chords and get a fantastic
sound.
The keyboard on the other hand would sound thin,
definitely lacking without auto chord/bass. Of course,
arranger keyboards are considerably cheaper than new
organs and take up less room. This has created a new
generation of keyboard players, some of which could
never afford the hefty cost of an organ.
So is this the end for the electric organ. So how do
organ manufacturers address this problem? Well they were
and still are designed to be a piece of furniture. Great
big lumps of wood, which appeal to the older generation,
which is why they have the reputation of being an older
person's musical instrument. This need to be changed so
they appeal to all generations. The next major change
has to be the hefty cost. A top of the range electric
arranger keyboard such as the Roland G70 would cost
between two to three thousands pounds. The top of the
range Roland Atelier organ will cost you in the region
of twenty thousand pounds new.
This change may have already started with new models
from Yamaha with the Yamaha D-Deck organ and the top of
the range Yamaha Electone Stagea. Both are portable and
very modern looking. Unfortunately, there is not a lot
of information on these models unless you read Japanese.
Yamaha have decided there is no organ market in the UK,
Europe or the USA. So if you want one of these models
you will have to import it yourself.
At the time of writing this, even these new modern
looking organs are now out of date. As far as I am aware
the Yamaha Stagea electone organ and Yamaha D-Deck organ
do not have the "Super Articulation" that is available
on the Yamaha Tyros 2 arranger keyboard. There are also
a lot of brand new features on the latest crop of
arranger keyboards, which include Roland G70, Korg PA
800 and the Ketron Audya, the latter, still a prototype.
So if you want an electric organ set up. You might be
better of buying two arranger keyboards and a pedal
board. It would be considerably cheaper than importing
the Yamaha Stagea and you would be assured of the latest
sounds and technological advancements.
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